Whilst it has less T-Swiz classics than other releases, across the board its one of Swifts strongest albums, bursting with catchy morsels. Although the first glimpses we heard from it (the musical theatre-style Me! and the stomping You Need to Calm Down) didnt do the record justice, listen to Lover in full and youll find moments of pure joy. ", Released in 2019 and named after one of the album's singles, "Lover" introduced a new era for Swift one that seemingly had elements of many of her past works, like "1989" and "Speak Now.". Midnight's answer: she's still soaring. Standout tracks from my first few listens include "Anti-Hero" and "Maroon. Following on from the release of Swift's 10th album 'Midnights', let's take a trip down memory lane and take stock of the superstar's career so far. To me, "Midnights" feels like an encapsulation of Swift's musical journey. In short: 1989 is Taylor Swifts masterpiece. Her eighth LP disregards the crutch of compelling production and relies more so on solemn, thoughtful writing and is her first full-length departure from autobiography into fiction. " Bad Blood . ", As Craig Jenkins for Vulture put it, "Although the album fixates on big enemies and bad reputations, the buried lede is a quiet romance budding in spite of them. Songs that sum up this album include "State Of Grace," a different sound with gorgeous lyrics that are undoubtedly Swiftian; "I Knew You Were Trouble," a reflective song full of dramatic production effects and a driving beat; "All Too Well," a slow ballad reminiscing a past love with emotional lyrics and execution; and "22," an effortless pop hit. As if the gift of folklore's acoustic stylings wasn't a treat enough, Taylor conceived a surprise sister album like clockwork during her end-of-year creative storm, amidst filming the Long Pond Studio Sessions documentary and re-recording Fearless. 2023 Oscars predictions: See who will win at the 95th Academy Awards. Lover is a backtrack in a way. Swift certainly has an . You could have at least changed RED/FEARLESS to Taylors version. Only time will tell if "Midnights" will climb up my ranking, but as a new album amidst an outstanding discography, more time is needed to test how well it stands out from the rest. And though Taylor's never been a stranger to love songs, here, she's more sultry than sweet. But reputation is much more than an extended diss track; It's also a not-so-private ceremony for a new, hush-hush love affair (that years later blossoms into a now-rumored engagement to partner Joe Alwyn). What makes Evermore an essential addition to her catalog is her willingness to tell others stories with the same insight and compassion with which shes always told her own. But past skeptics be damned, the album has stood the test of time, with many now backpedaling their initial criticisms to revel in her unabashed outbursts of rage and ecstasy and its thematic anchor of tender love and care. With a record thats a love letter to love itself. "'Fearless' may have established her as a capable teenage singer-songwriter, but 'Red' is the album that solidified her confidence, sexuality, and identity as a bonafide force to be reckoned with," English wrote. But on Red, it's "worthwhile fight" and "a ruthless game," never easy but always intoxicating, almost to the point of nausea. 1989. rep. Red. The album has been described as escapist, cottagecore-inspired, and was written and recorded during the COVID-19 pandemic. Paul Attard, Considering that Swifts previous material was almost always better when she tossed the ill-fitting country signifiers and focused on her uncanny gift for writing pop hooks, Red was a smart, if overdue, move for the singer. Casting aside the usual lengthy album campaigns or meticulously planned drip-feeding of singles, T-Swiz uncharacteristically announced Folklore the day before it was released. Although there are standout individual songs on the album, "Taylor Swift" isn't particularly cohesive and now that her discography has been built up, it's hard to rank this high when listeners now know exactly what she's capable of. In the 2017 article, Jenkins also noted that this album features hip-hop influences, something Swift hasn't really done before. and Bleachers fame), who employs an undercurrent of drums that boom like palms on metal doors and vocals that echo as if off skyscrapers. "Red" is a sophisticated album that demonstrates that Swift cannot be put into a box of one category or another: her sound is not all emotional songs about past lovers or radio-ready pop tracks it's so much more. The imagery for the album was filled with snakes, and lyrics subtly (and at times, not so subtly) addressed their falling out. Whether it's a song about an ex or someone else who wronged her, Swift's clever, catchy "revenge tracks" have only continued to improve from here. taylor swift albums Tier List Maker - TierLists.com taylor swift albums Press the labels to change the label text. If Teardrops on My Guitar from Swifts debut album was her breakthrough song, it was Love Story, the ballad from its follow-up Fearless, that cemented her name in the pop history books. Taylor is again musically faithful to the source material she spawned, honoring her then 22-year-old self by jeering and tearing up right on que, though this time with an inherent air of maturity. By album three Swift was a certified Big Deal. And on this album, in particular, the stories she tells are about how her narrators choices impact others, often in ways that cause irreparable harm. All necessary praise aside, one of the great joys of tracing Taylor Swift's arc is seeing her sound bleed across genres, from country and pop to (half-baked) hip-hop and folk and back. The album finds Swift living up to all of the praise she earned for her songwriting earlier in career. The record's tales unfold into imagined personal histories, with what Swift calls the "Teenage Love Triangle" songs (suspected to be "Cardigan," "August," and "Betty") painting three vivid portraits of an interwoven affair at different points in time. "1989" is packed with standout songs that hold their own, like "Blank Space," featuring masterful lyrics in a pop context;"Wildest Dreams," showcasing a heartbeat driving the song and breathy singing that creates a dreamlike quality; and "How You Get The Girl," serving as a lighthearted, pop-infused love song. To celebrate, weve revisited all 10 of her studio albums and ranked them from best to worst. If nothing else, the album proves shes unwilling to operate on anyones terms other than her own. And theres what Swift has called The Teenage Love Triangle, a trio of songs (Betty, Cardigan and August) that explore a knotty romance from three peoples perspectives. Love for a song about the worst parts of yourself grows on your heart like a burn on the skin. Her earlier works' fanciful twang and youthful daydreams still linger on tracks "Speak Now" and "Mean," but where Fearless was purely starry-eyed, Speak Now instead wields a wonderstruck vernacular like a cherished childhood locket and scorches a hole in the heart-shaped photo. Red is filled with top notch tunes: the brilliantly snarky We Are Never Ever Getting Back Together (Swifts first ever Billboard 100 Number One) and fizzing 22 are stone-cold smashers. However, evermore is still occasionally upbeat with an ethereal glow, with cooing strings that glint on "willow" and synthesizers that gleam on "gold rush." It's the stuff of shared languages, not unlike our own pensive journal entries when we had nowhere else to turn but the page. It's no exaggeration, then, to say almost every emotion has been articulated by Taylor Swift at some point, whether in broad-stroke breakup anthems or close-to-the-chest confessionals. The euphoric Mastermind takes it one step further, where on it Swift admits: No one wanted to play with me as a little kid/So Ive been scheming like a criminal ever since/To make them love me and make it seem effortless/This is the first time Ive felt the need to confess. Between those extremes is a reliable lineup of ultra-catchy mega-hits that infected the cultural consciousness through Top 40 countdowns and, later, TikTok videos. Shes mined this type of melancholy tone before, but never for the full length of an album and certainly never with such a range of perspectives. But none before were so intricate and immersive as a whole fictional timeline pieced together from multiple angles in an album just over an hour long. The title track, whose lilting rhythm and reverb-soaked drums and vocals are reminiscent of Mazzy Stars 90s gem Fade Into You, and the acoustic Soon Youll Get Better, a tribute to Swifts mother, hark back to the singers pre-pop days, while I Think He Knows and False God evoke Carly Rae Jepsens brand of 80s R&B-inflected electro-pop. Its a solid album which shows bucket-loads of promise; but its not a patch on what was to come later. This new sound may not be a far cry from the original, but to the trained Swiftie's ear, these small changes culminate into a noticeably "richer" listening experience from all angles. Then there's the true-to-life nostalgic musings of romantic naivety at fifteen and unrequited love looming on the high school bleachers. In the song, she celebrates a level of stardom that she'd continue to exponentially build upon in the years to come: "And bring on all the pretenders / One day, we will be remembered. In her defense, no creative mind can be consistently remarkable, not even one as decorated and revered as Taylor Swift. Released as a surprise sister album to folklore, it focused on Swift's exploration of lyrical storytelling based on tales and experiences that weren't her own. 1989 instead is sonically joyous without losing dimension or leaning on familiarity. We, the listeners, need a few more of our own sleepless nights, staying up drinking with Taylor and looking backward to definitively weigh our affection. Taylor Swift Drops Trippy Lavender Haze Music Video, Taylor Swift and Jack Antonoffs 20 Best Collaborations. By albums end, Swift assesses her crumbling empire and tattered reputation, discovering redemption in loveonly Reputation isnt so much a rebirth as it is a retreat inward. The rest of the record sees relationships rise and fall like once-great empires reduced to dust, each an individual tragedy set to incessantly hooky choruses. Swift's other albums have hits that I can imagine hearing in a grocery store or on a radio station years from now and immediately recognizing just from the opening chords alone. And I'm telling you, it's going to be a journey. says the actress. Swifts seventh ignores the bombastic electro-pop of its predecessor, and instead embraces the sleek stylings of 1989. The albums lyrics only serve to bolster that perception: Swift comes off like a frazzled stay-at-home mom scolding her disobedient children on Look What You Made Me Do and This Is Why We Cant Have Nice Things. But its her willingness to portray herself not as a victim, but the villain of her own story that makes Reputation such a fascinatingly thorny glimpse inside the mind of pops reigning princess. The album's opening, "Ready For It?," is an aptly-titled shockwave to the system compared to her previous work, abandoning instrumental lead-ins for a feel-it-in-your-bones bass machine accelerating into a rap? Many artists lucky enough to enjoy their 15 minutes of fame peak at the onset, delivering one or two tokens of pop culture product before a dwindling stream of less impressive ventures. Taylor Swift surprise-released her eighth album "Folklore" on July 24, 2020. Top that, Shakespeare. Teaming up with The Nationals Aaron Dessner (who worked on 11 of the 16 songs) and long-time collaborator Jack Antonoff, its a stunning collection of modern folk songs. The album plays as a survey course in contemporary pop, and Swift is game to try just about anything, from the uninhibited dance-pop of standout Starlight to the thundering heartland rock of Holy Ground. The tracks that work best are those on which the production is creative and modern in ways that are in service to Swifts songwriting. Fearless. As critic Jon Caramanica wrote for The New York Times in 2014, this album is filled with catchy pop tracks but it sets itself apart from mainstream music of that genre. 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